Monday, April 8, 2013

PERSPECTIVES ON HANDSTANDS IN ASHTANGA

Some great perspectives on handstands within the Ashtanga tradition:

"5 Rights Don't Make a Wrong: What Noted Ashtanga Teachers Have to Say About Handstands"

Also, what is the deal with Elephant Journal? I occasionally am redirected to interesting articles posted there, such as Carlos Pomeda's from early 2012, or even Kino Macgregor's, but then when I visit the site, there appears to be nothing but lists and T&A&Y (tits, ass and yoga)? What am I missing?

Wednesday, March 6, 2013

"ANY INSTRUCTION WAS AN ORDER": IYENGAR ON KRISHNAMACHARYA

As per conversation at the Confluence about Krishnamacharya, Pattabhi Jois, and B.K.S. Iyengar, I re-read an older interview Iyengar gave regarding his teacher.

Iyengar was interviewed by Rajvi H. Mehta, and the interview was posted here.

"I was 15 when I first came in contact with my guru, Sri T Krishnamacharya. My stay with him was only for two years."

"He only used to make us perform jumpings. All our earlier performances were only with these sequences. Later, when I was teaching in Pune, quite a few wrestlers became interested in the subject. Pune was then famous for its wrestlers. The wrestlers were already performing thousands of Surya Namaskars a day, so it was a place where exercises with 'conative' action was very strong. They started questioning how their Surya Namaskars were different from the yogic ones. My internal observation while practising gave me the philosophic insight."

"No, pranayama was learned by myself. When he [Krishnamacharya] came to Pune, he said that he would explain 'Ujjayi Pranayama.' Beyond that he never showed me anything. But I had seen him practising pranayama and a little of that background remained with me."

"My Guruji came to Pune in 1938, as he was invited for a lecture demonstration ... After 1940, the only other time he visited me was in 1960-61. I had married by that time and had a family. He stayed with me for a month and was a tremendously changed person."

1. Iyengar never received Yoga philosophy, postural, breathing or meditation instruction directly or specifically from Krishnamacharya.
2. Iyengar was only directly exposed to Yoga practice with Krishnamacharya for 2 years, during his teenage years, age 15-17 --- say sophomore and junior year of high school.
3. Iyengar derived the Yogic aspect of Surya Namaskar through his own practice.
4. Iyengar developed and practiced his own system of pranayama.
5. After this initial 2-year period, Krishnamacharya only saw Iyengar three more times, when Iyengar was 18, when Iyengar was 20, and then finally when Iyengar was 42.
6. Krishnamacharya was apparently a colossal dick.
7. On consideration of this, perhaps Iyengar's genius has been understated, and perhaps Krishnamacharya's contributions have been overstated?
8. What level of innovation and contribution must Pattabhi Jois have made?

On one hand, glossed by the big picture of history, to participate in parampara is to stand in the stream of a tradition in which the teacher (guru) is the symbolic representation of these teachings.

On the other hand, to look closer is to reveal the lumps, the asymmetries, the rough and blurry edges of any tradition: Iyengar's experience and understanding of Yoga came about in spite of his teacher's efforts.

Thursday, February 28, 2013

2013 CONFLUENCE

As this is published, we are en route to San Diego for the 2013 Confluence, and looking forward to meeting up with old friends, showing the baby to Uncle Timmy, taking stroller walks on Mission Bay, and of course practicing Mysore-style Ashtanga Yoga. Hope to see you there.

Wednesday, February 27, 2013

NEW BEGINNINGS

My long-time friend Chad Herst has been writing some terrific posts about Ashtanga lately.

His latest post is a shocker.

I am both sad and happy at the same time: sad because he is a great Mysore-style teacher; happy because clearly he has made the right choice.

Monday, February 25, 2013

JOSEPH CORNELL'S ASHTANGA YOGA



Please replace the word "box" with "primary series":

The box, to Cornell, is a gesture—it draws a boundary around the things it contains, and forces them into a defined relationship, not merely with one another, but with everything outside the box. The box sets out the scale of a ratio; it mediates the halves of a metaphor. It makes explicit, in plain, handcrafted wood and glass, the yearning of a model-maker to analogize the world, and at the same time it frankly emphasizes the limitations, the confines, of his or her ability to do so.

"Wes Anderson's Worlds" by Michael Chabon 

Tuesday, February 19, 2013

CHARLATAN ADDENDUM

I wrote a post called "The Alignment Problem" a few days (weeks?) ago.

(Excuse me I'm in a newborn baby time-tunnel here.)

I should have been more explicit that I don't consider all, or even that many, Ashtanga teachers "charlatans," Authorized, Certified, "jungle," or otherwise.

(The "jungle" Ashtanga teacher is the one out in the wilderness, doing her thing, without "official" connection to the tradition from Mysore.)

Taleb used the word however and it certainly is a provocative way to regard experts.

It is always interesting to consider the two ends of the Ashtanga spectrum, the emphasis on technique and alignment, and the emphasis on dynamism and movement.

Thankfully dig deeply in one and you find the other (hopefully), and vice versa.

WHAT I HAVE BEEN DOING LATELY

January 31, 2013:



Friday, February 8, 2013

THE ALIGNMENT PROBLEM IN YOGA




"There is no improper alignment. There is only improper preparation."

Ido Portal is a charismatic and challenging guy; he's not invested particularly in any one school or system and therefore has no problem calling bullshit where he sees it.

An over-emphasis on alignment in Yoga is indicative of an Expert Problem, what I call the Alignment Expert Problem. From Taleb:

"At the core of the expert problem is that people are suckers for charlatans who provide positive advice (what to do), instead of negative advice (what not to do), (tell them how to get rich, become thin in 42 days, be transformed into a better lover in ten steps, reach happiness, make new influential friends), particularly when the charlatan is invested with some institutional authority & the typical garb of the expert (say, tenured professorship) [or in Ashtanga for example the Authorized or Certified Teacher] ...

Yet I keep seeing from the history of religions that survival and stability of belief systems correlates with the amount of negative advice and interdicts — the ten commandments are almost all negative; the same with Islam. Do we need religions for the stickiness of the interdicts?"

Four of Patanjali's five Yamas are "negative advice and interdicts," and the positive admonition, satya, could be interpreted negatively, as "not lying."

(Ahimsa: non-violence. Satya: truth in word and thought. Asteya: non-covetousness, to the extent that one should not even desire something that is his own. Brahmacharya: abstinence, particularly in the case of sexual activity. Aparigraha: non-possessiveness.)

(I am thinking about the Niyamas as heuristics, best followed as "rules of thumb" developed through trial-and-error in which a relationship to five Niyamas is developed by keeping the best results and discarding the negative; i.e. Yoga As Laboratory.

Problem with Niyamas as heuristics is unearthing cultural, social, personal biases ((usually expressed as Narrative Fallacy, i.e. arranging personal narrative around facts and deriving causality.))

(Also interesting to see kaivalya or svarupa shunya as the ultimate "negative interdicts.")

It's easier to be told what to do, than what not to do in broad strokes.

As evinced through numerous conferences with Guruji: "What do I eat? How much do I sleep? When can I have sex? What is the angle of the legs in triangle?"

Later expressed as, "In Mysore they do X, Y and Z." or "Guruji [now Sharath] told me to do X, Y and Z."

The art of Yoga practice is the art of learning not to be a sucker for charlatans.

I had some rough thoughts on how to identify a non-charlatan Yoga teacher:

1. Reluctance to provide positive advice (as opposed to negative)
"Don't breath so raspy" is better than minute and tedious technical directives.

2. Situational doctrinal flexibility 
Form and technique as expressions of lineage (asana sequences) are important in the large sense, and so too is the ability to bend, break or ignore that "tradition" with the person directly in front of you as their needs dictate.

3. Can transmit heart of tradition rather than its facile expression
Understands transmission of forms (asana sequences) and techniques (breathing, gazing, etc) as means of allowing Yoga to arise, and can answer questions and provide directions from this perspective.

Famous questions for example, "In twisting poses should the binder grab the wrapper, or the other way around?"

Barry reminded me Guruji would say, "You are asking the wrong question."

The non-charlatan might say, "How is your breathing?" etc.

The Alignment Expert Problem in Ashtanga is compounded by the fact that anatomical knowledge and expertise are wed to exotic and foreign Sanskrit jargon, dense terminology that can function to funnel expertise in one direction, as well as keep out those who don't understand.

Still one of the strongest components to practicing with Guruji and Sharath is/was the mostly disinterest in alignment cues --- Ashtanga is seemingly alone in this, as many other systems owe large debts to Iyengar, a system that perhaps best epitomizes the Alignment Expert Problem.

Watching Sharath practice, or the Indian practitioners during the later class, is/was revelatory as the typical cuing for body alignment is almost non-existant. The focus is on the breathing.